DEMOCRATIC TECHNOLOGIES 224
  • Syllabus
    • What is DemTech??
  • Schedule and Assignments
    • Schedule
    • Assignment 1 Defining
    • Assignment 2 Remix >
      • RIP Remix Lecture
      • Copyright Terminology
    • 3. AI Research Project 1
  • Core Concepts
    • Concept Hub
    • PRE-MOD-POST-META
    • What is Art? >
      • Visual Culture & Comm
      • Conceptual Art
    • Creativity Studies >
      • Defining Creativity
      • Creative Thinking
    • Artificial Intelligence & Media >
      • Thinking About AI
  • Projects
    • Prompts to Prototypes >
      • P2P Talking Notes
    • Magazine Production >
      • Deep Dive - Group Podcast
      • Subvertisement
      • 2019 Reaktion Magazine
    • Multimodal Media >
      • Glitch Aesthetic
      • Immersive Media
      • Projection Mapping
    • SOUND: Creation and Function >
      • Generative Media >
        • Student Generative Media Projects
      • Who is Brian Eno?
    • Digital Documentary >
      • DOCUMENTARY 2025 >
        • 2025 DemTech Documentary
        • Alumni Perspectives
        • AI & Media Resources
      • Experimental Film
      • Future Focus
      • Timeless Tech
  • Capstone Reel
  • Past Semesters
    • 2025 Spring
    • 2024 Fall
    • 2024 Spring
    • 2023 Fall
    • 2022 Fall
    • 2021 Fall
    • 2020
    • 2018 COLLIDE / CREATE

PRE-MOD-POST-META

Definition of Modernism
​
Modernism was a broad cultural and artistic movement that emerged in the late 19th and early 20th centuries as a response to industrialization, rapid social change, and the horrors of World War I. It sought to break away from traditional forms, embrace innovation, and reflect the fragmented, uncertain nature of modern life.

​Key characteristics of modernism include:
  • Emphasis on experimentation (new artistic techniques, unconventional narratives)
  • Rejection of realism and traditional storytelling
  • Focus on subjectivity and inner consciousness
  • Belief in progress and the power of human ingenuity
  • Questioning of absolute truths and traditional authority

Examples of Modernism in Different Art Forms1. Art: Pablo Picasso & Jackson Pollock
  • Pablo Picasso’s Les Demoiselles d'Avignon (1907) – One of the first Cubist paintings, breaking away from traditional perspective and representation.
  • Jackson Pollock’s Number 1A, 1948 – Abstract Expressionism at its peak, focusing on process, emotion, and spontaneity rather than clear subject matter.

2. Literature: James Joyce & Virginia Woolf
  • James Joyce’s Ulysses (1922) – A revolutionary novel that uses stream of consciousness, nonlinear storytelling, and experimental language.
  • Virginia Woolf’s To the Lighthouse (1927) – Breaks away from traditional plot structures, focusing on character psychology and the passage of time in an abstract way.

3. Film: Sergei Eisenstein & Orson Welles
  • Sergei Eisenstein’s Battleship Potemkin (1925) – A pioneering film using montage editing to create emotional and intellectual impact.
  • Orson Welles’ Citizen Kane (1941) – Radically innovative in its use of deep focus, nonlinear storytelling, and unreliable narration.

4. Architecture: Le Corbusier & Ludwig Mies van der Rohe
  • Le Corbusier’s Villa Savoye (1929) – A minimalist, functionalist building emphasizing clean lines and modern materials like concrete and glass.
  • Ludwig Mies van der Rohe’s Seagram Building (1958) – A sleek, glass-and-steel skyscraper representing the modernist ideal of simplicity and form following function.

Key TakeawaysModernism was about innovation, breaking tradition, and reflecting the uncertainties of the modern world. It often aimed to create a new artistic language for a rapidly changing society.
Definition of Postmodernism
Postmodernism is a broad intellectual movement that emerged in the mid-to-late 20th century as a reaction against the grand narratives, objective truths, and rigid structures of modernism. It is characterized by skepticism, irony, fragmentation, self-referentiality, intertextuality, and the questioning of authority, originality, and meaning.
Postmodernism blurs boundaries between high and low culture, embraces pastiche, and often challenges the idea that meaning is fixed or singular.

Examples of Postmodernism in Different Art Forms1. Art: Jean-Michel Basquiat & Barbara Kruger
  • Jean-Michel Basquiat – His graffiti-inspired paintings mix text, symbols, and imagery in a chaotic, layered way that critiques social and racial issues. His work rejects the traditional "purity" of modernist painting.
  • Barbara Kruger – Uses bold text and advertising-style images to challenge consumer culture and gender politics, making viewers question messages they take for granted.

2. Literature: Thomas Pynchon & Margaret Atwood
  • Thomas Pynchon's Gravity’s Rainbow (1973) – A complex, fragmented novel filled with paranoia, absurdity, and conspiracy theories. It mocks grand narratives and plays with nonlinear storytelling.
  • Margaret Atwood’s The Handmaid’s Tale (1985) – While dystopian, it contains strong postmodern elements, such as unreliable narration and the questioning of historical truth and language.

3. Film: Quentin Tarantino & David Lynch
  • Quentin Tarantino's Pulp Fiction (1994) – A prime example of postmodern film, featuring nonlinear storytelling, self-awareness, pop culture references, and a blending of genres.
  • David Lynch’s Mulholland Drive (2001) – Challenges narrative coherence, blurs the lines between reality and illusion, and plays with viewer expectations.

4. Architecture: Frank Gehry & Philip Johnson
  • Frank Gehry’s Guggenheim Museum (Bilbao, Spain) – A deconstructivist masterpiece, with its fragmented, flowing design rejecting modernist order and symmetry.
  • Philip Johnson’s AT&T Building (New York) – A skyscraper with a “Chippendale” top, rejecting the sleek minimalism of modernism in favor of playful historical references.

Key Takeaways
​
Postmodernism is about breaking the rules, playing with meaning, and challenging traditional structures across all forms of art. It thrives on contradiction, irony, and a refusal to see the world in black and white.
Definition of Metamodernism
Metamodernism is a cultural and artistic movement that emerged in the early 21st century as a response to both Modernism and Postmodernism. It acknowledges the skepticism, irony, and fragmentation of Postmodernism but reintroduces sincerity, hope, and emotional depth—often oscillating between irony and earnestness.

Metamodernism is characterized by:
  • The oscillation between irony and sincerity (not rejecting either but using both)
  • Emotional engagement rather than complete detachment
  • A blending of modernist idealism with postmodernist playfulness
  • A desire to construct meaning while recognizing its instability
  • An embrace of paradox and contradictions

Examples of Metamodernism in Different Art Forms
1. Art: Olafur Eliasson & Banksy
  • Olafur Eliasson’s The Weather Project (2003) – A large-scale installation at the Tate Modern that creates a sublime, immersive experience, evoking wonder and deep emotional response while also being self-aware of its artificiality.
  • Banksy’s Dismaland (2015) – A “bemusement park” that critiques consumerism and modern society, yet with a genuine concern for the issues it portrays, mixing irony with sincerity.

2. Literature: David Foster Wallace & Ocean Vuong
  • David Foster Wallace’s Infinite Jest (1996) – While postmodern in many ways, Wallace advocated for a return to emotional sincerity in literature, blending irony with genuine human concerns.
  • Ocean Vuong’s On Earth We’re Briefly Gorgeous (2019) – A deeply personal and poetic novel that acknowledges the complexities of truth and narrative while embracing vulnerability and emotional depth.

3. Film: Wes Anderson & Everything Everywhere All at Once
  • Wes Anderson’s films (The Grand Budapest Hotel, Moonrise Kingdom) – Known for their hyper-stylized, whimsical aesthetic, Anderson’s films mix self-aware artificiality with deep emotional sincerity.
  • Everything Everywhere All at Once (2022) – This film oscillates between absurd, postmodern humor and deeply heartfelt moments about family, love, and identity, embodying metamodernist storytelling.

4. Architecture: Bjarke Ingels & The High Line (NYC)
  • Bjarke Ingels’ 8 House (Denmark, 2010) – A blend of sustainability, functionality, and playfulness, this building moves beyond rigid modernist principles while avoiding postmodern pastiche.
  • The High Line (NYC, 2009) – A transformed abandoned railway turned into an urban park, blending history with renewal, functionality with aesthetic pleasure, and idealism with pragmatism.

Key Takeaways
  • Modernism sought meaning and progress.
  • Postmodernism questioned meaning with irony and skepticism.
  • Metamodernism embraces both, balancing irony with sincerity, detachment with hope.​

Assignment: Metamodern Digital Storytelling through Chance

Objective: Students will create a multimodal digital storytelling piece using a chance-based process. They will collect found narratives, quotes, images, and various media—both analog and digital—and assemble them into a cohesive yet open-ended story. The final piece should exhibit metamodern characteristics, balancing sincerity and irony, oscillating between structure and fragmentation, and blending emotional depth with playful experimentation.

Guidelines: The Element of Chance Each student must gather at least 10 found media elements, such as: Snippets of text from books, newspapers, or old letters Random images from old magazines, Google Street View, or personal archives Sounds or music clips from field recordings, cassettes, or online archives Video clips from VHS tapes, YouTube, or public domain footage They must use a randomization method to determine the arrangement of at least some elements (e.g., pulling quotes blindly from a box, shuffling images, rolling dice to determine sequence).

Media Integration The project must integrate at least three different media types (e.g., text + image + sound, or video + spoken word + animation). Analog elements (e.g., Polaroids, cassette recordings, photocopied textures) can be digitized and incorporated into the final composition.

Metamodern Aesthetic The story should reflect metamodern sensibilities, such as:
Emotional sincerity + self-aware irony (not pure satire, but a mix of earnestness and playfulness)
Fragmentation + cohesion (a loose structure that invites interpretation)
Digital + Analog juxtapositions (blending old and new media forms)
Personal + Universal themes (mixing the intimate with the collective)

Final Presentation The final work can take the form of:
A short video (1–3 min) An interactive digital collage (using platforms like Twine, Instagram Stories, or a simple website)
A looping media installation (projected video with sound layers) Students must provide a brief artist statement explaining how chance shaped their narrative and how the piece embodies metamodern ideas.

Timeframe:
Week 1: Collect found media elements, experiment with randomization.
Week 2: Begin assembling media into a structured yet flexible composition.
Week 3: Final edits, peer review, and presentation.

Evaluation Criteria: Use of Chance (20%) – How effectively was randomness used to shape the story?
Multimodal Integration (20%) – Were different forms of media combined in a meaningful way?
Metamodern Expression (30%) – Does the piece reflect the oscillation between irony and sincerity, fragmentation and cohesion? Creative Execution (30%) – Originality, aesthetic quality, and overall impact of the final work.

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